“The Psycho-Aesthetics of Romantic Moonshine: Wordsworth’s Profane Illumination” by Geoffrey Hartman is an article with a frightening title, but is filled with in-depth explanations of Wordsworth poem “Strange Fits of Passion I Have Known”, furthermore describing Wordsworth style of poetic writing and view on everyday, rural life. The poem, “Strange Fits of Passion I Have Known” is only one of the several Lucy Poems that Wordsworth wrote in the second volume of Lyrical Ballads. This poem can be taken in many ways; straightforward vs. not straightforward, real vs. surreal and naturalism vs. supernaturalism. The poem starts out with a lover riding on horse back in the moonlight to his beloved in her cottage (Lucy.) At the end, the poetic-lover has a final cry when the moon drops behind Lucy’s cottage; he fears that his beloved is dead. “Oh mercy, to myself I cried/ If Lucy should be dead!” (II 27-8). Hartman says about the poetic-lover’s final cry, “What is not straightforward is that the narrator’s “evening ride” or “walking cure” to cite Celeste Langan’s witty concept (225-271), ends in the final cry of distress that places a special burden on interpretation.” He distinctly says this because the final cry is ultimately the “strange fit”, however the “strange fit” can be viewed in several different ways, which seems to be what Wordsworth was going for with his readers.
The Lucy poems are a group of poems by Williams Wordsworth and Samuel Coleridge that are about a woman Lucy, but “Lucy” is not just a woman. She is viewed as the spirit of the place she inhabits. In the poem “Strange Fits of Passion I Have Known”, it only suggests that Lucy is dead, but in the other Lucy poems, it justifies that Lucy does truly die. It makes the most sense that Lucy in this poem, portrays the poet’s sense of country side and rural environment. She is the Spirit of Nature that has remained mute and unknown. The thought the poetic-lover has that Lucy is dead, is not just about a dead woman. It is Wordsworth foreshadowing through his poetry the death of the rural environments ability to influence our imagination. The hidden beauty in nature that fuels are imagination will be forgotten and our imaginations will be dull. To analyze and pursue deeper into this poem, notice that the poetic-lover has the thought that Lucy is dead once the moon becomes hidden behind the cottage, what importance does the moon have to this poem? Nature’s beauty (the moon) pulls the lover into almost a trance-like hypnosis. “In one of the sweet dreams I slept/ Kind Nature’s gentlest boon!” (ll 17-18) This passage justifies that the lover is in a trance, through stanzas 5 and 6 the poem continues to describe the lover’s condition. Once the moon disappears, the lover falls out of the trance and back to reality. A mental defense is removed which causes the sudden fear of death to appear, and the lover begins to show anxiety. If this is the case, than the poem is about the mind, rather than action itself. Like all poetry, this poem does not have to “make sense.” “I have already admitted that the boundary between sense and non-sense is not a bright line.” This is what Hartman says about the poem. If we use our imagination when reading this poem we can say that the poetic-lover connects the moons disappearance with Lucy. He raises her, to be all sublime and be equal with the moon. If Lucy represents the moon, than the moon exists both in the mortal and sublunar realm and Lucy appears to be mortal and immortal (also existing in both realms.) As nature reveals its self, the thought of Lucy’s mortality appears and the moon-inspired spell on the lover is broken by the voice from a sublunar realm amplified through the sublimity of the landscape, replacing the previously dominant moon in its imaginative effect (Hartman pg 12). This means that the mute voice of nature is being heard when the spell breaks, and a whole new imagination can begin to excel and fill people’s mind. Almost like a wake up call to the world that is stuck in this “trance” of dull or hidden imagination. This explanation of the poem is definitely a stretch, but the message Wordsworth is trying to convey still comes across, using a part of the imagination that may even seem to be non-sensible. I have found that a lot of Wordsworth writings, or Romanticism poetry in general, seems to be full of hidden messages and when reading this type of poetry, imagination is key to understanding the deeper meanings.
WordsWorthians
Poetry of William Wordsworth

William Wordsworth was the second of five children born on April 7th, 1770. His father, Sir John Lowther, made fair money which enabled his family to have a higher-standard living style. Wordsworth and his family lived in Cockermouth, a west Cumbrian town. Possibly because of his fathers absence, young Wordsworth became off-put and estranged from other children and people (with the exception of one of his sisters.) His parents then sent him, at six years of age, to live with his grandparents in the northern Cumbrian town of Penrith. There he attended a local school. His grandparents were said to be mean authority figures, and they did not help the emotional development of Wordsworth at all. Soon after this, Wordsworth mother died in 1778. This affected Wordsworth, and his emotional status as well. He became even more off-put and preferred to be alone most of the time. Due to his mothers death, Sir John Lowther could not take care of the rest of the kids any longer, and sent them off to live with several other people. After the year of his mothers death, Wordswoth was sent to a grammar school in the town of Hawkshead, close to Windermere. Him and his brothers were boarded with a couple in their sixties, and Wordsworth sister was sent to live with foster parents, away from the rest of her family. Then, in 1783, Sir John Lowther died. This affected Wordsworth of course, and his emotional state was made even worse. With his father and mothers death, his sister (the only person he was close to) moved away, switched around from several house holds, it is no surprise that Wordsworth graduated from Cambridge University, in October 1787, with having no academic goals or an idea of what he wanted to do with his life. He was in emotional distress. This could lead to the sudden idea, for Wordsworth to take a walking tour of France and Switzerland, in the year, 1790. Wordsworth was greatly impressed and inspired by the scenery and the politics of the emerging French Republican cause, which he later writes about in sections of The Prelude. After returning back to London, to attend meetings to support the French Republican movement, he then went to France, where he stayed in Paris for a little while. There, he fell in love with a women by the name of, Annette Vallon. Her parents did not approve of Wordsworth, and tried to ban their daughter from seeing him. But, shortly after Wordsworth returned to England, Annette gave birth to their daughter, Caroline, on December 15th, 1792. Wordsworth lived on the coastal line of London, in hope to return to his newly born daughter and the love of his life. But, this journey was not possible, due to the war between the two countries. Two years later in 1794, Wordsworth was reunited with his sister. The decided to live together in a cottage called "Racedown", where they could pay through the proceeds, from th